
Art Market Awakens: Lauder Collection Ignites Sotheby's Day Sale Success
A Resurgence in the Art Market: Beyond Expectations
After a string of quieter auction seasons, the art world has observed a notable resurgence. Following robust, albeit varied, sales at Christie's and a significant marathon event at Sotheby's—which featured a Gustav Klimt portrait from the late Leonard Lauder's collection, fetching an astonishing price—the focus shifted to the day sales.
Lauder Collection Propels Sotheby's to Stellar Results
Sotheby's commenced its day sales with an additional thirty pieces from the Lauder collection. This segment generated an impressive $3.84 million, comfortably exceeding its estimated range of $2.22 million to $3.29 million. While lacking the monumental appeal of the Klimt masterpiece, the auction house strategically emphasized sculptural and three-dimensional works, a tactic that largely proved successful in attracting bids.
Unexpected Triumphs: Works Far Exceed Estimates
Several artworks demonstrated exceptional performance, vastly surpassing their initial valuations. Dorothea Rockburne's 1973 drawing, Drawing Which Makes Itself (B), and Elizabeth Murray's 1982 pastel, Black Tree, each sold for more than five times their high estimate of $7,000, realizing $44,450 and $44,490 respectively. Other pieces, including Joel Shapiro's charcoal work, Lyonel Feininger's drawing Die grüne Brücke, George Segal's Braque Still Life with Guitar and Pitcher, Mary Bauermeister's Self Portrait Series, and Beverly Pepper's sculpture Curvae in Curvae, also saw their prices more than triple their high estimates, underscoring strong buyer interest.
Claes Oldenburg's Iconic Sculpture Leads the Sale
The highest single price of the day was achieved by Claes Oldenburg's well-known Typewriter Eraser (1977), which sold for $444,500. This piece, a familiar sight in major art institutions like the National Gallery of Art Sculpture Garden, was extensively exhibited prior to the sale, contributing to its strong showing despite falling slightly below its highest projection.
Mixed Fortunes for Oldenburg and Van Bruggen's Collaborative Works
The auction also featured a significant number of works by Oldenburg and his wife, Coosje van Bruggen. While some of their collaborative sculptures, particularly from the “Paradise Pies” series, sold below their lower estimates, a collection of Oldenburg's colored-pencil drawings performed remarkably well. Works such as Perfume Bottle, Fallen (1992) met or exceeded expectations, with Proposal for a Sculpture in the Form of a Saw, Sawing (1994) more than doubling its high estimate to sell for $76,200.
